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Barber of Seville


'The Barber of Seville': From The Director
Stage Director Mark Freiman reflects on his time with Rossini's 'Il barbiere di Siviglia.'
Dec 13, 2024


"La calunnia è un venticello"
In this Act I aria, the scheming music teacher Don Basilio describes how a slanderous rumor (calumny) starts as a whisper but can grow into
Dec 6, 2024


"Una voce poco fa"
Rosina sings this aria in Act I after receiving a love letter from Count Almaviva (who is disguised as "Lindoro"). She expresses her affecti
Dec 1, 2024


Hitting the High Notes: Balancing Opera, Marriage, and Parenthood
One of the main challenges for couples like Sarah Nordin and Tyler Putnam is balancing their personal relationship with the demands of their
Nov 26, 2024


"Figaro! Figaro! Figaro!"
“Largo al factotum," sung by Figaro, this is one of the opera's signature arias and introduces the character of Figaro in Act I. He sings jo
Nov 19, 2024


Rossini and the Bel Canto style
Bel canto singing emphasizes smooth legato, even tone across registers, and exceptional agility in fast-moving passages
Nov 16, 2024


Rossini and Paisiello: Two Versions of The Barber of Seville
Rossini’s The Barber of Seville is celebrated for its dynamic energy, brilliant overture, and iconic arias.
Nov 6, 2024
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