The Magic Flute
Photos of Act One
Photos of Act Two
Back
to Year 2001 Productions.
By Wolfgang Amadeus Mozart
First performed at the Theater auf Der Wieden,
Vienna,
September 30, 1791.
ACT I
Tamino endeavors to escape from a menacing dragon. He falls
unconscious. Heeding his cries, the three Ladies-in-Waiting of the Queen of the
Night appear and kill the beast. The ladies sing of their joy in foiling the
dragon and of the good looks of the man they have rescued. They hesitantly leave
him. He awakes to see a man covered in feathers coming towards him. It is
Papageno, the Queen's bird catcher. Papageno tells the stunned Tamino that he is
in the realm of the Queen of the Night. Upon seeing the dead dragon, he boasts
of his defeat of the creature. Upon utterance of the lie, the three ladies
reappear and punish him by putting a padlock on his mouth. They show Tamino a
miniature of a maiden, Pamina the Queen of the Night's daughter, whose beauty
fills Tamino's heart with love. They tell him she is a prisoner of Sarastro. No
sooner does Tamino vow to free the beauty than the Queen herself materializes.
She reinforces his determination with her depiction of her desolation now that
she has lost her daughter. She promises Pamina to Tamino when he sets her free.
The ladies reappear and remove the padlock from Papageno's mouth and give him a
set of chimes. To Tamino they give a golden flute. These instruments will enable
them to escape the perils of their journey. They will also be accompanied by
three Spirits.
The scene changes, and Sarastro's palace is disclosed. A brutal
Moor, Monostatos is pursing Pamina with unwelcome advances. The bird catcher
appears, Monostatos takes flight. Papageno recognizes Pamina. He advises her not
to fear. She will soon be rescued by someone who has fallen in love with her. He
laments that nothing like this ever happens to him. Pamina assures him that he
will one day be loved.
The finale takes place in a grove. Here are Temples which are
dedicated to Wisdom, Reason, and Nature. This is where the three Spirits have
led Tamino. They leave him there with the advice to be patient, silent and persevering.
Tamino decides to enter the Temples. He is refused admittance. Finally, a Priest
tells him that Sarastro is not a tyrant as he has been told but a noble
character of wisdom. The solemn atmosphere awakens Tamino's desire for
knowledge. He plays his flute. Wild animals come out from their lairs and lie at
his feet. Before he can finish his aria, he hears the sound of Papageno's pan
pipe and rushes off to find him. Papageno comes onstage leading Pamina whom he
intends to unite with Tamino. They are overtaken by Monostatos, who sends for
chains to complete the capture.
Papageno remembers a last remedy. By playing on his magic
chimes, he sets the Moor and his slaves dancing. Pamina and Papageno rejoice at
their escape. Trumpets and the sound of a chorus are heard. They sing praise to
Sarastro. Sarastro enters with a procession, Pamina kneels at his feet.
She explains that she was trying to escape from the Moor. Sarastro comforts her
and assures her that he understands her predicament. Monostatos drags Tamino in,
denounces him to Sarastro. Instead of reward, he is sentenced to flogging. This
is the first meeting of Pamina and Tamino. They are blissfully in love. Sarastro
commands them to the Temple of Ordeal where they must prove they are worthy of
higher happiness.
ACT II
Photos of Act Two
In a grove outside the Temple, Sarastro informs the Priests
of his plans. The gods have ordained that Pamina shall become Tamino's bride,
but only if he is worthy of admission to the Temple. Sarastro takes Pamina under
his protection. The couple must go through severe ordeals in order to be worthy
of entering the Temple of Light, thus thwarting the sinister schemes of the
Queen of the Night. Sarastro prays to Isis and Osiris that the two may be worthy
of their goal.
The ordeals of Tamino and Papageno are about to begin. They are
warned that they may perish in their search for the Truth. The Priests warn them
of what will happen if they fail in their vow of silence. They are left alone in
the darkness. The three Ladies of the Queen of the Night appear. The Ladies try
to get them to abandon their quest, but they remain silent. The priests reappear
and congratulate them on having passed the first test.
The scene changes. Pamina is discovered lying asleep. The Moor
steals towards her in obviously lascivious mode. The Queen of the Night appears
and demands that her daughter kill Sarastro. Monostatos threatens to reveal this
plot (that Pamina never agreed to) if she will not give him her love. Sarastro
enters just in time to hurl the Moor from the defenseless Pamina. The Moor
departs with the hope that he will have better luck with the mother. Pamina
pleads for mercy for her mother. Sarastro assures her that vengeance is not on
his mind.
Tamino and Papageno are again urged to keep their vigilant
silence. Papageno chatters to himself, only to find himself soon involved in a
conversation with an old crone who introduces herself to him as the sweetheart
he is yet to meet. There is a clap of thunder, the old crone disappears, the
three Spirits appear. They bring with them the flute and the chimes.. Pamina
appears, unaware of the vow of silence, and is overjoyed to see Tamino again.
She is distraught over his lack of response.
Elsewhere, the Priests sing a solemn chorus of praise to Isis
and Osiris. Sarastro allows Pamina to see Tamino and tells them to take their
last farewell of each other. Papageno is told he may have one wish granted. He
is left dissatisfied when he has drunk the wine he asked for. The old crone
comes back to him and threatens him with dire consequences if he does not swear
to be true to her. When he does swear, she reveals herself to be young and
attractively feathered. Poor Papageno is warned off her by a Priest who says he
is not worthy of her yet.
The three Spirits are discovered in a garden singing of the
symbolical joys of the rising sun, whose rays drive away the fears of the night.
Not knowing she is being observed Pamina contemplates suicide. She is restrained
and comforted by the Spirits. Two men in armor guard the door. Tamino is brought
in by the priests for the last stage of his initiation, the test of fire and
water. Tamino proclaims his resolution, but for the final ordeals, he is
accompanied by Pamina. He is not only overjoyed at being joined with her again
but that he may speak with her freely. Pamina's sufferings have produced a
maturity about her. She acts as Tamino's guide as they undergo successively the
ordeals of fire and water. At the end, they are welcomed into the Temple by
Sarastro and the Priests. Papageno's great scene of mock suicide occurs at this
point, a comic trial that parallels the serious trials of Tamino and Pamina.
In the Temple, Monostatos leads the Queen and her Ladies who are
making their last bid at revenge on Sarastro. They are foiled in their attempt
by the force of Light which drives away the forces of the night. There is a
final chorus extolling the initiates.
Back to Year 2001 Productions. |